Art

See/Saw: Looking at Photographs

See/Saw: Looking at Photographs

  • Downloads:5135
  • Type:Epub+TxT+PDF+Mobi
  • Create Date:2021-05-02 11:31:16
  • Update Date:2025-09-06
  • Status:finish
  • Author:Geoff Dyer
  • ISBN:1644450445
  • Environment:PC/Android/iPhone/iPad/Kindle

Summary

A lavishly illustrated history of photography in essays by the author of Otherwise Known as the Human Condition


See/Saw shows how photographs frame and change our perspective on the world。 Taking in photographers from early in the last century to the present day—including artists such as Eugène Atget, Vivian Maier, Roy DeCarava, and Alex Webb—the celebrated writer Geoff Dyer offers a series of moving, witty, prescient, surprising, and intimate encounters with images。


Dyer has been writing about photography for thirty years, and this tour de force of visual scrutiny and stylistic flair gathers his lively, engaged criticism over the course of a decade。 A rich addition to Dyer’s The Ongoing Moment, and heir to Roland Barthes’s Camera Lucida, Susan Sontag’s On Photography, and John Berger’s Understanding a PhotographSee/Saw shows how a photograph can simultaneously record and invent the world, revealing a brilliant seer at work。 It is a paean to art and art writing by one of the liveliest critics of our day。

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Reviews

Dan

My thanks to both NetGalley and Graywolf Press for an advanced copy of this work。 Geoff Dyer draws on both his artistic sensibilities and his writing ability in his latest collection of essays See/Saw: Looking at Photographs 2010-2020。 Mr。 Dyer has chosen photographs from a a variety of skilled and unskilled photographers and eras。 Along with the photo is an accompanying essay about what is seen, not seen, what the artist might have been trying to achieve, and what the results are to him。 There My thanks to both NetGalley and Graywolf Press for an advanced copy of this work。 Geoff Dyer draws on both his artistic sensibilities and his writing ability in his latest collection of essays See/Saw: Looking at Photographs 2010-2020。 Mr。 Dyer has chosen photographs from a a variety of skilled and unskilled photographers and eras。 Along with the photo is an accompanying essay about what is seen, not seen, what the artist might have been trying to achieve, and what the results are to him。 There are no right or wrong interpretations, Mr。 Dyer only writes what he sees and feels, while giving a history of the photographer, a brief history of the photo and what might have lead to the photo being taken at that time。 Some essays are straightforward, others go to places that only a skilled writer with knowledge both or art and history could go, expounding on things that would escape just a casual, or even a long study of the picture。 Not really criticism, not really a review。 These essays are something more。 Mr。 Dyer one of my favorite authors who I first started reading wit his book on jazz But Beautiful, has a way of making something simple, grand and worthy of conversation and contemplation。 A very sublime work。 。。。more

Mat

Dyer has achieved that rare elevation as an essayist that allows him to demand all his published thoughts be preserved between hard covers。 Some of the pieces here were initially written as columns, others are reviews or introductions to catalogues (he mourns a lone essay that could not be included because of difficulties of formatting)。 Many of the shorter observations are taken from a weekly series that he wrote for the New Republic magazine in which he chose a picture from that week’s papers Dyer has achieved that rare elevation as an essayist that allows him to demand all his published thoughts be preserved between hard covers。 Some of the pieces here were initially written as columns, others are reviews or introductions to catalogues (he mourns a lone essay that could not be included because of difficulties of formatting)。 Many of the shorter observations are taken from a weekly series that he wrote for the New Republic magazine in which he chose a picture from that week’s papers – Serena Williams hitting her otherworldly forehand or Oscar Pistorius in tears in the dock – and riffed on its significance。 Though the comprehensive nature of this enterprise means that some pieces inevitably feel more finished, or more attended to, than others, it’s a testament to Dyer’s seductive curiosity that even these slighter improvisations reward rereading。 。。。more